Recently on a popular Facebook brass band group, there was a request for any Vocal Solos with Brass Band that were available. It just so happens that in the past I’ve written quite a few of these, and they were buried deep down on my list of charts to put up on Sheet Music Press. So I decided to prioritise them and get them up ready for you to buy!
The trick with accompanying a vocalist with a brass band is that the band will always outblow the vocals, even with a microphone. Both bands I have worked with in the past that utilised a vocalist also had talented piano players, so this helped in not overwhelming the vocals.
Of course, with these arrangements having been done for a female vocalist, I had to also include an optional Bb or Eb Solo part. This way you can perform these with or without a vocalist, and also without piano as I’ve cued the relevant parts into the brass. And of course, it made it easier for me to produce the score videos, with yours truly as guest soloist on trombone. I loved the challenge of recording these charts!
I wouldn’t have even been able to write these arrangements if it were not for the innovative nature of the brass bands I’ve been involved with. A big shout out to Tredegar Town Band (Ian Porthouse) and the Melbourne Staff Band (Ken Waterworth) for commissioning these charts in the first place.
All of these arrangements have been done for top bands, so the parts are not easy and you may find it out of your bands capabilities. If so, please contact me and I will find the time to produce some easier versions for use with your band.
Earlier this year I was lucky to be asked to dep with a legend of ska, Neville Staple. A relative newcomer to the ska and reggae scene, it was an opportunity I couldn’t miss. The two gigs were back to back on the same weekend; firstly at Stone Valley Festival South, then on to Merthyr Rising the next night.
As the band does a lot of headline acts at festivals, I was asked to play without a rehearsal, and without music, and as the only horn! A long time reader, this was a new experience for me and I spent the whole week leading up to the gigs playing along with YouTube videos of the band! Armed with my trusty set list, colour coded with form and key for each tune, I stepped into the unknown…
The Band
The band is made up of great professional musicians, well trained to entertain the crowds and perform the tunes they know and love so much. Characters such as Sledge (bass), who brings energy, skill and humour to the stage via his one-note solo at the end of the set. Joe (on keys) who nails all the different sounds required for each tune, and does so with ease. Billy (the guitarist) who takes every opportunity to ham up his solos, jumping across to any platform he can get to without breaking a leg. And Matty (drums) who absolutely nails every groove, every tempo and is the rock of the band.
Sledge and Billy ripping it up
Up front is the man himself, Neville Staple, the ORIGINAL RUDEBOY. An original member of The Specials, toasting his way up the charts, Neville is still bringing the energy to every gig and wowing crowds at each chance. Along with his wife Christine Sugary Staple, who dances and sings along with absolutely everything, they lead the band through hit after hit. I was impressed by their professionalism, showmanship and also their care for issues such as cutting down knife violence and treating people with respect.
The Gigs
Would you believe this is the first time I’ve played at a major festival? I still don’t really know what goes on at these events, as I was focused on doing a good job at both of them and didn’t really explore. What I did notice was that there was a camaraderie among the bands backstage, and a respect for each others work. And that there seemed to be a good flow of beverages available, which no doubt encouraged the vibe.
The crowds at both festivals were great. Each time I had a break, I looked out to see so many people enjoying themselves, skanking, singing along and sometimes just taking it all in. For his fans, Neville’s music means so much, and it really shows on their faces. I hadn’t listened to much ska or reggae growing up in Australia, so it doesn’t form a part of my childhood identity, but given the amount of ska gigs I’ve done over the summer, I figure I’m catching up fast!
Interestingly enough, soloing in ska doesn’t really have the same effect it does in jazz, where the crowd is expected to applaud (sometimes just a golf clap) for each improvisation. The role of the horns in ska is much more involved, just another part of the band, so each solo is really just contributing to the sound, and often playing a written solo is needed. I’ve found that riffing, such as exists in early jazz or on the streets of New Orleans today, is much closer to what is required of a ska horn section. Often I’m asked to just skank over a section to add an extra layer, or play some noice pads.
This year, my aim is to visit one new band every week. Partly born out of a lack of consistent band rehearsals whilst I’m house sitting, and a desire to meet more people in the areas we’re in, I’ve also had a number of bands play a piece of mine, which is brilliant to hear different versions of it, and get some feedback on what they liked about my music.
So far, we’re about a third of the way into the year and I’ve managed to find a vast array of bands who kindly invited me along. I’ve been really enjoying the variety of ensembles, venues and people, as well as vast differences in atmosphere, skill level and banter. I’m finding that each rehearsal inspires me in different ways, and my desire to connect with more bands is growing exponentially.
What I would like to do for the rest of the year is to continue connecting with local bands, but also to expand how I’m promoting this challenge by producing better video, and adding a few different features to the posts.
Stay tuned for more and check out all of the bands so far below.
First one this year is The Supertonics Big Band, based in Bracknell. A lovely community group that does regular concerts, with a repertoire from Mission Impossible to Begin the Beguine. They were so welcoming that they even pulled out an Aussie number for me – Waltzing Matilda! I actually really like this arrangement, not too hard to play and just the right amount of cheese. I took a rehearsal recording so you can experience their sound yourself. #mindthesplits #holidaychops
As part of my 2019 new band tour, I visited Godalming Band, just up the road from my current house sit near Haslemere. A lovely welcoming band led by James Haigh who is also a talented arranger. Amazing to see a full rehearsal after the Christmas break, although I think some people’s chops were a little under done – pretty standard at this time of year. Here’s a small recording of the rehearsal.
As part of my 2019 new band tour, I visited Godalming Band, just up the road from my current house sit near Haslemere. A lovely welcoming band led by James Haigh who is also a talented arranger. Amazing to see a full rehearsal after the Christmas break, although I think some people’s chops were a little under done – pretty standard at this time of year. Here’s a small recording of the rehearsal.
As part of my 2019 new band tour, on Monday Jan 14 I visited Cathays Brass in Cardiff. A fantastic little community band, led by Martyn, who has had a very interesting career playing and writing for some very famous people. I really enjoyed their humour, approach to creating music and general banter. This is an arrangement I did for 10 piece brass, featuring a tricky little eupho/cornet line, plenty of clapping and grunting, and has been a favourite number of all the bands who played it.
As part of my 2019 new band tour, on Monday Jan 14 I visited Cathays Brass in Cardiff. A fantastic little community band, led by Martyn, who has had a very interesting career playing and writing for some very famous people. I really enjoyed their humour, approach to creating music and general banter. This is an arrangement I did for 10 piece brass, featuring a tricky little eupho/cornet line, plenty of clapping and grunting, and has been a favourite number of all the bands who played it.
Week 3 (2nd band of the week!) of my 2019 New Band Challenge, Cross Keys Silver Band conducted by an old friend, Siôn Rhys Jones. Lovely band room with a good acoustic, and a keen bunch of players – pretty full band for this time of year. I loved that they start and end on a hymn, great for tone, so that’s what this video is. Thanks again guys for the invite, really enjoyed this one.
Week 3 (2nd band of the week!) of my 2019 New Band Challenge, Cross Keys Silver Band conducted by an old friend, Siôn Rhys Jones. Lovely band room with a good acoustic, and a keen bunch of players – pretty full band for this time of year. I loved that they start and end on a hymn, great for tone, so that’s what this video is. Thanks again guys for the invite, really enjoyed this one.
As always, comment below if you’d like me to come to your rehearsal. Wind, brass and big band, anything goes! I’m finding it hard to do everyone’s band though, so please don’t get upset if I don’t make it.
February in Wye, Kent
March in Carrick on Shannon, Ireland and then who knows!
April – new house sit – in Burwash, Sussex
Week 5
of my 2019 new band challenge – Marshfield Brass Band. On one of the coldest
nights I’ve had so far ❄️ with a rehearsal in a football club room, this was
a really welcoming bunch of community musicians. Once again, some light banter
and a good dose of hard work led to an enjoyable rehearsal. The 96 year old 2nd
trombone unfortunately didn’t make rehearsal due to the cold, but I managed to
meet him later in the pub 😂
🍻.
Check out their version of a classic march (unleash the basses! 😜🔥🔥)
Week 5 of my 2019 new band challenge – Marshfield Brass Band. On one of the coldest nights I’ve had so far ❄️ with a rehearsal in a football club room, this was a really welcoming bunch of community musicians. Once again, some light banter and a good dose of hard work led to an enjoyable rehearsal. The 96 year old 2nd trombone unfortunately didn’t make rehearsal due to the cold, but I managed to meet him later in the pub 😂 🍻.
Check out their version of a classic march (unleash the basses! 😜🔥🔥)
Week 6 of my 2019 new band challenge – Phoenix Wind Band. Based in Bristol, and rehearsing in a local library with lovely acoustics, this is a very well balanced band with good musicians all round. Items on the menu were Lion King, Heroic Fanfare, Concerto D’Amore and Prelude to Hampstead Heath. I even attempted sight reading the Eupho part to the Prelude, but I’d rather not show you that video, so here’s the Lion King! Get your tissues out.
Week 6 of my 2019 new band challenge – Phoenix Wind Band. Based in Bristol, and rehearsing in a local library with lovely acoustics, this is a very well balanced band with good musicians all round. Items on the menu were Lion King, Heroic Fanfare, Concerto D’Amore and Prelude to Hampstead Heath. I even attempted sight reading the Eupho part to the Prelude, but I’d rather not show you that video, so here’s the Lion King! Get your tissues out.
I’m currently in Wye, Kent for the whole of February. At the moment I have one brass band, three big bands and no wind bands – enough for the month, but if you want me to pop by, leave your details in the comments.
Week 7 of my 2019
new band challenge – Kent Police Band. For those who haven’t seen these posts
before, I’m an Aussie trombonist/composer/conductor trying to visit one new
band every week for the whole year.
Great atmosphere in rehearsal with this lot, in probably the most secure band room ever! Really enjoyed the light hearted approach from conductor John Groves, with plenty of banter back and forth from the band. A good selection of music to play, see if you can guess their upcoming concert theme: Ben Hur, I’ll Walk With God, Mamma Mia, Wicked and Greatest Showman. Haven’t played I’ll Walk With God in years, so especially enjoyed that cracking arrangement by Goff Richards.
Week 7 of my 2019 new band challenge – Kent Police Band. For those who haven’t seen these posts before, I’m an Aussie trombonist/composer/conductor trying to visit one new band every week for the whole year.
Great atmosphere in rehearsal with this lot, in probably the most secure band room ever! Really enjoyed the light hearted approach from conductor John Groves, with plenty of banter back and forth from the band. A good selection of music to play, see if you can guess their upcoming concert theme: Ben Hur, I’ll Walk With God, Mamma Mia, Wicked and Greatest Showman. Haven’t played I’ll Walk With God in years, so especially enjoyed that cracking arrangement by Goff Richards.
As always, let me know in the comments if you want me to come to your rehearsal. Brass, wind, jazz and kazoo bands all welcome. I usually bring an arrangement of mine you can play through if you want to try some new music as well, and always keen for a chat and a pint after.
Week 8 of my 2019
new band challenge – Contra Swing Band, based in Bexhill-On-Sea, East Sussex.
This was a little
bit of a drive, but due to Valentines Day, the only band I could make it to
this week. A tight sounding band with top players on each line, a good variety
of ages and an enjoyable rehearsal. I also gave out more business cards at this
rehearsal than usual, which means that either plenty of bands need trombone
players in this area, or there’s too many bands!
Thanks guys for making me feel welcome – especially pulling out all the solo features for me. This video is one of those, although I can’t quite remember the name of the tune. See if you can pick it.
Week 8 of my 2019 new band challenge – Contra Swing Band, based in Bexhill-On-Sea, East Sussex.
This was a little bit of a drive, but due to Valentines Day, the only band I could make it to this week. A tight sounding band with top players on each line, a good variety of ages and an enjoyable rehearsal. I also gave out more business cards at this rehearsal than usual, which means that either plenty of bands need trombone players in this area, or there’s too many bands!
Thanks guys for making me feel welcome – especially pulling out all the solo features for me. This video is one of those, although I can’t quite remember the name of the tune. See if you can pick it.
I’m in Kent until the end of Feb, then in Ireland for two weeks, back to Cranbrook, Kent for the last two weeks of March. April is in Burwash, East Sussex and May is Bletchingley, Surrey. As always, let me know if you would like me to come to your bands rehearsal.
Week 9 of my New
Band Challenge 2019 – The Lisa Davies Big Band. This week, a horn only
sectional for a very good band, playing mainly funk and contemp tunes. Thanks
Steve Nathan for the invite.
This is A Few Good
Men – Gordon Goodwin’s Big Phat Band, brilliant chart, but pretty hard to get
everything together, and play it up to tempo. Have a listen to the bone player
next to me on the unison lines, super clean! I need to do more work on my articulation
(practice time!)
Planning on going
back next week so they can play through some of my arrangements, maybe Pilbot’s
Revenge will get a run through 🙂
Funnily enough, they don’t gig much. I think they should, as this stuff needs to be heard.
Week 9 of my New Band Challenge 2019 – The Lisa Davies Big Band. This week, a horn only sectional for a very good band, playing mainly funk and contemp tunes. Thanks Steve Nathan for the invite.
This is A Few Good Men – Gordon Goodwin’s Big Phat Band, brilliant chart, but pretty hard to get everything together, and play it up to tempo. Have a listen to the bone player next to me on the unison lines, super clean! I need to do more work on my articulation (practice time!)
Planning on going back next week so they can play through some of my arrangements, maybe Pilbot’s Revenge will get a run through 🙂
Funnily enough, they don’t gig much. I think they should, as this stuff needs to be heard.
One more week in Kent, then Ireland (where my bands at?)
Cranbrook, Kent from March 19-20
Burwash, East Sussex for April
Bletchingley, Surrey for May
Fingers crossed for a 3 month sit in Southampton after that (South west Bands hit me up)
Please follow my facebook page, and feel free to share this with everyone.
Week 9 of my 2019
New Band Challenge (I think I skipped week 4!) – West Kent Big Band.
I was asked by a
trombonist I’d met at the Contra Swing Band to dep at a pub gig in Tonbridge
for this band, so it was a good opportunity to see a new band in action. It was
a good sized audience for the venue and the band played a selection of older
big band classics like In The Mood, through to crowd favourites Copacobana and
Pink Panther.
This video is a
short excerpt of the Rocky theme, Gonna Fly Now. Featuring some excellent lead
trumpet playing and a energetic sound. It’s only short because when I turned
the camera I didn’t check if you could see anything, and who wants to look at a
ceiling for a whole minute! (Might be slightly better than my trombone faces
lol)
Really enjoyed the gig, so thanks to Sarah Kent-Davies for the invite and the band for welcoming me 🙂
Week 9 of my 2019 New Band Challenge (I think I skipped week 4!) – West Kent Big Band.
I was asked by a trombonist I’d met at the Contra Swing Band to dep at a pub gig in Tonbridge for this band, so it was a good opportunity to see a new band in action. It was a good sized audience for the venue and the band played a selection of older big band classics like In The Mood, through to crowd favourites Copacobana and Pink Panther.
This video is a short excerpt of the Rocky theme, Gonna Fly Now. Featuring some excellent lead trumpet playing and a energetic sound. It’s only short because when I turned the camera I didn’t check if you could see anything, and who wants to look at a ceiling for a whole minute! (Might be slightly better than my trombone faces lol)
Really enjoyed the gig, so thanks to Sarah Kent-Davies for the invite and the band for welcoming me 🙂
One more week in Kent, then Ireland (where my bands at?)
Cranbrook, Kent from March 19-20
Burwash, East Sussex for April
Bletchingley, Surrey for May
A 3 month sit in Southampton after that (South west Bands hit me up)
Please follow my facebook page, and feel free to share this with everyone.
Week 10 of my 2019
New Band Challenge – Murley Silver Band. Based in Northern Ireland, this was a
bit of a trek from where I was staying in Carrick on Shannon, but well worth
the drive through some terrible weather on ordinary roads.
A
championship band fresh off the local competition, I enjoyed playing at the
higher level after a few lower section bands lately. They were also the most
inquisitive band I’ve come across, which was nice to be able to really explain
why the hell I was at their rehearsal 😂
I’m lucky that I’ve
been over to Ireland a few times to visit my girlfriends family and friends,
because the conductor had a wicked drawl and certainly kept my ears on their
toes.
Pick the classic piece. One of my favourite endings of any piece I’ve ever played.
Week 10 of my 2019 New Band Challenge – Murley Silver Band. Based in Northern Ireland, this was a bit of a trek from where I was staying in Carrick on Shannon, but well worth the drive through some terrible weather on ordinary roads.
A championship band fresh off the local competition, I enjoyed playing at the higher level after a few lower section bands lately. They were also the most inquisitive band I’ve come across, which was nice to be able to really explain why the hell I was at their rehearsal 😂
I’m lucky that I’ve been over to Ireland a few times to visit my girlfriends family and friends, because the conductor had a wicked drawl and certainly kept my ears on their toes.
Pick the classic piece. One of my favourite endings of any piece I’ve ever played.
Going to be in Cardiff later on this week, any bands practicing on the Thursday or Friday?
Week 11 of my 2019
New Band Challenge – a new, as yet unnamed big band in Cardiff!
I was lucky enough
to bump into a friend at the Tiny Rebel Jazz: Duski event on Thursday night,
who invited me to the very first rehearsal of a brand new ensemble. Full of
young talented musicians, I was really happy to see the level of musicianship
so high, with a bit of a lull in new big bands in the area.
This is a short
excerpt from a Roy Hargrove tune. No bass player for the rehearsal, which was a
shame. I enjoyed doubling up 3rd and Bass Bone, with some phat notes and bitey
edge.
Week 11 of my 2019 New Band Challenge – a new, as yet unnamed big band in Cardiff!
I was lucky enough to bump into a friend at the Tiny Rebel Jazz: Duski event on Thursday night, who invited me to the very first rehearsal of a brand new ensemble. Full of young talented musicians, I was really happy to see the level of musicianship so high, with a bit of a lull in new big bands in the area.
This is a short excerpt from a Roy Hargrove tune. No bass player for the rehearsal, which was a shame. I enjoyed doubling up 3rd and Bass Bone, with some phat notes and bitey edge.
Keep my streak going! Kent for two weeks, East Sussex in April, Surrey in May.
Week 12 of my 2019
New Band Challenge – Cranbrook Town Band / Orbi Playa Big Band.
This week, we’re in
a repeat house sit with two brilliant Vizsla’s and a Mini Poodle in Cranbook,
so I had to visit Cranbrook Town Band. But seeing as I’ve actually been to a
rehearsal with them before, I planned to also head to the Orbi Playa Big Band in
Canterbury, as I had been asked to dep for a rehearsal.
Unfortunately, the
numbers at Orbi were a bit light, so I didn’t actually take a video (half a
rhythm section and only two saxes). But I was pleased that they played through
my new arrangement of Making Whoopee, and happy that it sounded as I imagined.
(You can get it here: https://bit.ly/2YpUavi)
So Cranbrook – under
the direction of Ian Lanceley, they are a well drilled unit with a full band
every week, coming off a full sweep of the regional comps and going from
strength to strength. There’s a fervour in this bandroom, with a lot of good
people invested in the direction of the band. I’m always impressed with the
sound they produce, nice and full.
This recording is my
new original hymntune – Hymn For Barney. Dedicated to a plucky little Westie we
looked after last year, I’m really glad they were able to play this for me. I
put the phone down to play the piece halfway through, so instead of looking at
the ceiling, I’ve put a few cute doggy pictures into the video. I hope you
enjoy it! P.S. you can buy it here: https://bit.ly/2NuOz1y
Week 12 of my 2019 New Band Challenge – Cranbrook Town Band / Orbi Playa Big Band.
This week, we’re in a repeat house sit with two brilliant Vizsla’s and a Mini Poodle in Cranbook, so I had to visit Cranbrook Town Band. But seeing as I’ve actually been to a rehearsal with them before, I planned to also head to the Orbi Playa Big Band in Canterbury, as I had been asked to dep for a rehearsal.
Unfortunately, the numbers at Orbi were a bit light, so I didn’t actually take a video (half a rhythm section and only two saxes). But I was pleased that they played through my new arrangement of Making Whoopee, and happy that it sounded as I imagined. (You can get it here: https://bit.ly/2YpUavi)
So Cranbrook – under the direction of Ian Lanceley, they are a well drilled unit with a full band every week, coming off a full sweep of the regional comps and going from strength to strength. There’s a fervour in this bandroom, with a lot of good people invested in the direction of the band. I’m always impressed with the sound they produce, nice and full.
This recording is my new original hymntune – Hymn For Barney. Dedicated to a plucky little Westie we looked after last year, I’m really glad they were able to play this for me. I put the phone down to play the piece halfway through, so instead of looking at the ceiling, I’ve put a few cute doggy pictures into the video. I hope you enjoy it! P.S. you can buy it here: https://bit.ly/2NuOz1y
Week 13 of my 2019
New Band Challenge – Beached Brass
On a beautiful sunny
day, I headed down to Brighton to join a new venture by Gabriel Garrick. Aiming
to recreate the New Orleans street band style, this is a relaxed jam-style band
that learns tunes on the day by ear, and then uses jazz language to hold a
conversation (or something like that).
This was very
therapeutic for me, food for my musical soul. The freedom to play what you
want, as long as you’re joining in the conversation is brilliant, and
definitely opens my mind to new possibilities as a musician.
We’re settled into
our new house sit near Burwash, East Sussex. Going to be around this area for
the next couple of months, so if you’d like me to come to your rehearsal, to
play, watch, conduct or bring a few charts of mine to play, comment below.
Week 13 of my 2019 New Band Challenge – Beached Brass
On a beautiful sunny day, I headed down to Brighton to join a new venture by Gabriel Garrick. Aiming to recreate the New Orleans street band style, this is a relaxed jam-style band that learns tunes on the day by ear, and then uses jazz language to hold a conversation (or something like that).
This was very therapeutic for me, food for my musical soul. The freedom to play what you want, as long as you’re joining in the conversation is brilliant, and definitely opens my mind to new possibilities as a musician.
We’re settled into our new house sit near Burwash, East Sussex. Going to be around this area for the next couple of months, so if you’d like me to come to your rehearsal, to play, watch, conduct or bring a few charts of mine to play, comment below.
As part of my 2019
New Band Challenge, I visited Sounds of Swing, based in a cool looking pub in
Herstmonceux. A community big band that does a few gigs a year, mostly playing
classic swing charts with their vocalist Gill Berryman.
With nearly a full
band (they’re always short on trombonists) their sound was full and swing was
cool. I enjoyed playing through a few charts I hadn’t seen, and was invited
along for the gig on Sunday lunch at the same venue.
I was pleased that
they played through my new arrangement of Makin’ Whoopee (available here: https://bit.ly/2USNOWn) even with a few
mistakes, but with a killer solo on tenor sax, try and pick the quote in the
last 8. Also features a bit of drum tastiness. I hope you enjoy the video.
Week 15 of my 2019
New Band Challenge – Worthing Silver Band
A non-contesting
brass band, they are well known for their Brassbandathon, which raises loads of
funds for charity in an all-day brass band extravaganza.
The rehearsals are
in a very live church hall, with players of all ages, and led by a strong MD in
Laura King. Unusual to see a left handed conductor, but she wields an iron
baton to marshall her troops.
I was pleased that
rehearsal started with a classic – Vaughan Williams Folk Songs Suite and
enjoyed navigating some tricky movie music with the band. The video is of A
Klezmer Karnival, by Philip Sparke, which is an exciting piece with lots of fun
bits. Nothing much to write home about for trombone, but I managed to have a
bit of fun bopping along and yelling the wrong word at the end! Hope you enjoy
the video.
2019 New Band
Challenge (Week 16) – Uckfield Concert Brass
Continuing on my
East Sussex tour, this week I encountered Uckfield Concert Brass. A
non-contesting community band that rehearses in a pub function room, this band
just returned from a tour of Wales and boast a full band with committed
members.
Another rehearsal
where upon entering the room, I was shown towards the 1st trombone chair by an
excited trombone section. This was probably the most amount of blowing I’ve
done in a rehearsal in a while, with the majority of tunes played from the
Salvation Army publications. From Mozart to Heaton, most of the arrangements
heavy and slow, but I really enjoyed reminiscing about my time growing up
playing with Salvation Army bands.
The band has a
really nice full sound and the conductor Nick Morris has a great rapport with
the members, leading to a pleasant and relaxed rehearsal. I’ll definitely look
to drop in again to this band in the future.
2019 New Band
Challenge – Lewes, Glynde and Beddingham Brass Band – LGB Brass (Week 17)
This week I headed
down to historic Lewes to visit another brass band in the area. A solid,
capable band with a experienced conductor in Ian Stewart, they are preparing
for a entertainment contest in a month time, and already their program is
sounding polished. Featuring good soloists, a great ensemble sound and tight
timing, I enjoyed playing a little of a few parts from 1st Tbn, 2nd (2nd) Tbn
to 1st Baritone next to Chris Yate!
Especially enjoyable
this week was the pub session after, with lots of friendly conversations, a
great pork pie and ale, and some good banter. This video is the classic piece
that every band has probably played, but the only video I managed to take on the
night. Have fun listening to me navigate the tricky baritone lines on trombone.
It clearly wasn’t written with the slide in mind!
Next stop is
Bletchingley, Surrey for four weeks. After that 2 weeks of uncertainty then 3
and a half months in Southampton! I would absolutely love to add some Salvation
Army bands to my list, so if you know anyone involved with one, please let me
know.
2019 New Band Challenge – Lewes, Glynde and Beddingham Brass Band – LGB Brass (Week 17)
This week I headed down to historic Lewes to visit another brass band in the area. A solid, capable band with a experienced conductor in Ian Stewart, they are preparing for a entertainment contest in a month time, and already their program is sounding polished. Featuring good soloists, a great ensemble sound and tight timing, I enjoyed playing a little of a few parts from 1st Tbn, 2nd (2nd) Tbn to 1st Baritone next to Chris Yate!
Especially enjoyable this week was the pub session after, with lots of friendly conversations, a great pork pie and ale, and some good banter. This video is the classic piece that every band has probably played, but the only video I managed to take on the night. Have fun listening to me navigate the tricky baritone lines on trombone. It clearly wasn’t written with the slide in mind!
Next stop is Bletchingley, Surrey for four weeks. After that 2 weeks of uncertainty then 3 and a half months in Southampton! I would absolutely love to add some Salvation Army bands to my list, so if you know anyone involved with one, please let me know.
Since January 2018, my girlfriend Fiona and I have been homeless! Well, not technically true, but we have been house sitting for some lovely couples around the UK. This consists of looking after animals (dogs mainly) and making sure their house and property is well looked after.
The house sitting is a good way for us to continue working on our own businesses, whilst not having to worry about rent or bills. In the process, we’ve fallen in love with many dogs, cats and even some chickens, plus stayed in some wonderful houses in brilliant locations.
There was the keepers cottage on the grounds of a National Trust estate, with 400 head of deer; the 3 storey farmhouse in Surrey with a large property and rogue gypsy horses; the apartment block in Bristol with a roof terrace; the list goes on.
It hasn’t all been smooth sailing: Fiona’s Fiesta finally fortook its final furlong (ten points for alliteration!), we attempted a week without animals in a hotel (so boring!) and we’ve had other unexpected challenges along the way. All in all it’s been a success – we are taking it as another adventure in our crazy lives and we’ve seen so many amazing places on our travels
Work-wise it has been great to get to stay in so many different places around the UK. I’ve met so many new musicians and bands and it was definitely the catalyst for my 2019 New Band Challenge (more on this in a future post). It has been interesting to see what is happening in the music scenes I visit, and each place has had a slightly different focus for me. Up in Manchester I enjoyed playing with the Salford University Brass Band for most of February 2018, and in Brighton and Bristol I found myself at plenty of jazz gigs and jams. That’s just a small sample of the wide variety of music I’ve played since beginning the house sitting.
I’m aiming to post a little about each house sit as we finish – apologies for not doing this a year ago! So follow us on our house sitting adventure, who knows where we’ll end up next??
As a trombonist and arranger, I’ve been playing in horn sections for cover and original bands for my whole career. This usually eventuates in me writing heaps of arrangements for this very flexible and powerful instrumentation.
Most of the bands have used a 3 piece horn section: trumpet, tenor sax and trombone. You’d always love to add a bari sax to that combo to give it some grunt, and allow the trombone to soar a bit higher, but this 3 piece combo really does most soul, funk and pop covers well, without compromise. I’ve found that I use the trombone more as a lower part, as you can cover the bari sax lines better than the tenor, even though it’s a different sound.
Anyway, we’re not here just to listen to me drivel on about this (or are we?); the purpose of this post is to tell you about the horn charts I’ve put up on Sheet Music Plus. The most recent ones are from a band I’ve put together a horn section for, The Flotonics. We’ve got our first gig together on Friday, and I’m super pumped because these guys really know how to do Motown and Soul.
I’ll be adding more horn charts soon, as I have quite a big library. Check back later, or follow me on Facebook to catch all the updates.
I’ve been busy redoing the 10 piece Brass Ensemble pieces I have available at Sheet Music Plus because I found that whilst the instrumentation I chose worked for some bands, others were having to transpose parts for their Soprano Cornet and Bb Bass, as well as not having a Trombone player who reads bass clef. So now it works for every instrument in the band!
The available parts are as below, with the intended instrument in bold: 1 Bb Cornet; 1 Eb Cornet 2 Bb Cornet 3 Bb Cornet 4 Bb Cornet; 4 Eb Horn; 4 F Horn 5 Eb Horn; 5 Bb Cornet; 5 F Horn 6 Baritone TC; 6 Trombone BC 7 Baritone TC; 7 Trombone BC 8 Trombone BC; 8 Baritone TC 9 Euphonium TC; 9 Euphonium BC 10 Tuba BC; 10 Eb Bass; 10 Bb Bass
Whilst this is great, I suggest you buy my full brass band arrangements if you are using every instrument, as the extra parts are simply a transposition and are not ideal for those instruments.
If you have purchased a 10 piece brass arrangement off me, you can download an updated version on Sheet Music Plus. If you have any other issues with the arrangements, please contact me.
What is a Pop Combo? Great question! It’s a term I’ve coined to indicate that a chart (piece of sheet music) is for a pop combo (band). This is generally made up of the rhythm section (piano, guitar, bass and drums) most commonly found in jazz ensembles (or big bands) and a horn section if needed.
I felt there was a need to have a term for this kind of ensemble, as in the past they have been called many different things like combo, chart, band chart, etc. The difficulty I had with these terms is that they didn’t really explain exactly what you got. Sometimes a combo is only a trio (piano, bass, drums) and when you use the term band, it could mean anything from a brass band to a mariachi band.
One issue I have had is in distinguishing between a Jazz Ensemble (rhythm section and horns) and the pop combo. I wanted to specifically separate these two ensembles, for the means of categorising my shop, but also so that it is clear what genre you are getting. I also have a few classical charts for the same combination that I am searching for a term for, but will most likely end up as Theatre Band charts – written specifically for solo entertainers to use with a sight reading band in theatres on land and at sea.
What is a Pop Combo? Great question!
The other concern I have had is that some bands don’t have a horn section, and others have quite a large one. Given that I am in control of the arrangements, I’d like to offer all of the available combinations to my customers, but it will take a while to do this for all the existing charts I have created. So for now, the “Pop Combo” will be a mishmash of combinations, which I will endeavour to show clearly on the title page for each chart. My master plan is to separate the rhythm sections from the horns, and sell the horn charts as an add-on so you can select which combination you need.
Here is a breakdown of the differences:
POP COMBO
JAZZ ENSEMBLE
THEATRE BAND
Instruments
Rhythm Section, Horns
Rhythm Section, Horns, Vocals
Rhythm Section, Horns, Vocals
Combinations
1-3 Horns
3-6 Horns, Big Band
1, 3 or 4-6 Horns, additional Keyboard part for bands without Horns
Vocal chart
Optional
Yes
Yes, also cued in the piano along with important horns
Any Requests?
In the meantime, if you see a chart that you would like a different combination of, please let me know. It isn’t hard to create a new chart specifically for you, which I can do very quickly. I have already done this with my Brass Band version of This Is Me, which I amended to include a rhythm section and choir at the request of a friend.
This year has been one of growth, change and exploration. I finally got my website up and running (tadaa!), worked for new clients in new genres and lived in some lovely houses in new places. Here’s the review you’ve all been waiting for!
New clients
Late last year, I started doing some arrangements for a new startup music publisher, NiceChart. Their new system of publishing involves a complicated program that takes standard arrangements and makes them customisable to your ensemble. Any instrumentation and difficulty can be delivered instantly to your inbox. You can find three of my arrangements up on their website – After You’ve Gone,All By Myself and Just A Closer Walk With Thee
Another exciting new client was Helena May. She was putting together a vocal quartet performing pop tunes in different style for professional functions. I really enjoyed working with her to create some weird and wonderful versions of those tunes, and hope to see their success in the future.
House Sitting
On a personal front, I’ve been lucky to find a way to continue to work as a musician and not have to take jobs that I don’t really want to do, just to pay bills. And that way is house sitting! With my partner Fiona, we’ve been looking after a number of different houses through a website called Trusted Housesitters. The whole premise is that we look after someone’s house, pets, etc. whilst they go on holiday. They don’t have to find a kennel for their pets, their house is secure and we don’t have to pay rent or bills. Perfect for the self employed digital nomad. The only downside is the uncertainty of knowing where we will be, the constant moving and the fact we don’t have a place of our own. But these houses have been beautiful, the pets amazing and I’ve really enjoyed seeing different parts of the country and meeting the locals. Here’s just a sample of what that’s looked like.
New Music
If you’ve got this far, congratulations! You get to find out the most exciting part of this year for me – new music.
Probably the highlight of the year was the performance by Maidstone Wind Symphony of Six Songs from “A Shropshire Lad”. Commissioned for their remembrance concert “A Time For Peace”, I really enjoyed taking a beautiful work and orchestrating it for a chamber wind ensemble. The delicacy involved really took me on a journey to explore how sensitive wind ensembles can be with this style of music.
I continued writing charts for Jenene Caramielo – a classical crossover artist with a beautiful voice. She is a cruise ship entertainer, very busy, and also very easy to work with.
One more avenue of writing I found was for Sheet Music Press. Their ArrangeMe program is perfect for artists like me who have a large collection of charts written over years that are arrangements, which cannot be sold without paying lots in copyright permission fees. I’ve had a few titles sell really well on their site, without not much promotion from myself. You can check out the full range of what I sell here: Michael Pilley Music. I’m also able to link to these titles through my shop.
There were many other single jobs, plus writing music for ensembles I play with such as Swing Punks, High & Mighty (function band) and SuperBone.
Performing
With the constant moving around due to house sitting, it has been a struggle to find a consistent band to play with. I also have far too many interests in different genres, so I haven’t settled on any one so far. Highlights have been:
Playing 1st trombone for a Black Dyke rehearsal
Performing with Salford University Brass Band
Playing with Cardiff M1 Band at the Blackpool contest
Playing with Swing Punks
1 Month contract on the Queen Vic in the Queen’s Room
Function gigs with High & Mighty
Joining my first ska band, Filthy Militia
Conducting the Merton Concert Band (first conducting gig in years!)
Playing with King Brasstards, street brass band
There has been some real highlights this year, some struggles, and definitely lots of potential going forward into 2019. Here’s to a fine year, and stay tuned for exciting new prospects in the new year.
From the popular Dutch jazz singer comes a catchy tune you won’t get out of your heads once you start playing it. Written for Tredegar Town Band for their performance at the Dutch Nationals in 2015, this arrangement features a solo for trombone, but can be played by any soloist in the band.
Check out the music video if you’re not familiar with the song. I love the use of sax in the original recording, plus it has such a cool vintage vibe about the whole thing.
The arrangement follows the original track for a couple of verses, but then breaks into a samba feel to give it some interest. Featuring two mallet percussion parts plus drum kit and aux percussion, this arrangement will certainly bring some sparkle to your concerts.
Written for Tredegar Town Band for their 2014 Brass In Concert program, this arrangement used the mellow tones of 6 flugelhorns with 6 trombones along with tuned percussion. It aims to capture the essence of an amazing performance of the tune by Burt Bacharach and Barbara Streisand on a Emmy award winning TV special entitled “Singer Presents Burt Bacharach”
Ian Porthouse, MD for Tredegar, provided the idea for the arrangement, including a transition into their next piece With A Little Help From My Friends. This version is the one with a complete ending, as played by the band at a pre-contest performance. The arrangement calls for a talented Vibraphone player, along with a solid Bass Trombonist and a soloistic 1st Flugel. The latin vibed ending can use more percussion if you wish, although a light feel is preferred.
For those bands that don’t have access to 6 flugelhorns and 6 trombones, I’ve also reorchestrated it for the more standard 10 piece Brass Ensemble. There are small differences between the two versions, with 2 less instruments but the structure stays the same. The Vibraphone part is also cued in the brass, to make this version playable in all situations.
Unfortunately, the arrangement didn’t make it onto the Brass In Concert DVD that year, so I only have a low quality recording of it. If your band buys this piece, I’d love to hear how your version sounds! Connect with me on Facebook or Twitter to let me know.
Here’s a score video so you can listen and follow along.
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